Films

Kodak Portra 160

Kodak Portra 160 in Trichroma Lab: 5 frames on 120, developed in Trichroma Lab; a negative converted in both Negative Lab Pro and Trichroma Lab.

Below them, the film's base as the app measures it, and what the app does with that number.

Frames on Kodak Portra 160

Developed in Trichroma Lab and exported as they are — nothing was done to them after the export. Under each: the format, and the camera and lens it went through.

A woman lying in grass among dandelions and daisies, shading her eyes from the sun, in a mustard shirt and jeans.
Kodak Portra 160120 · 6×4.5 · Pentax 645 · 45mm f2.8
A woman in a pale trench coat leaning against the grey boards of an old wooden barn.
Kodak Portra 160120 · 6×4.5 · Pentax 645 · 45mm f2.8
A sunlit harbour quay with sacks of netting and a red stall sign reading ŚWIEŻE RYBY, fishing boats behind.
Kodak Portra 160120 · 6×4.5 · Fujifilm GA645Zi · 65mm f4
A blonde woman in a mustard jacket behind a row of red post boxes, pines and a house behind her.
Kodak Portra 160120 · 6×4.5 · Pentax 645 · 45mm f2.8
A fishing boat in harbour, its deck bristling with flagged buoy poles under a deep blue sky.
Kodak Portra 160120 · 6×4.5 · Fujifilm GA645Zi · 65mm f4

Kodak Portra 160 through Negative Lab Pro, and through Trichroma Lab

The same negative converted in both programs and cut to one window. Both were finished by hand, the way you would finish a roll; neither half is a default conversion. All four pairs, and what each started from.

A frame on Kodak Portra 160, converted by Negative Lab Pro from a white-light raw.
Negative Lab Pro Frontier
The same negative, developed by Trichroma Lab from the same raw.
Trichroma Lab FRONTIER

Same raw · Fujifilm GFX100S · white light

The film base, measured

The bare, unexposed film around each frame — the clear rebate — measured in density on the station Trichroma Lab is calibrated on: under narrowband light at 665, 525 and 455 nm, and under white light through a Fujifilm GFX100S. The light let through is the same reading put the other way round: ten to the minus density.

RedGreenBlue
Narrowband, density0.32 D0.65 D0.84 D
Narrowband, light let through48 %23 %14 %
White light, density0.33 D0.58 D0.78 D

Read these as this station's numbers rather than the film's in general: another camera or lamp measures another base for the same film, and two rolls of one stock, developed apart, read apart too — which is why the app grades your roll on its own base wherever it can read it.

What Trichroma Lab does with it

Under three narrow bands, with a flat, it never asks which film you shot: your roll's own base is read off its rebate. This entry comes in when the film is named — under white light, where you always name it, and on a roll whose own base could not be read. It is listed as “Kodak Portra 160”, and under white light your roll's own base tunes it to your development batch. Narrowband or white light · how trichromatic scanning works.

Other films

Kodak Portra 400 · Kodak Portra 800 · Kodak Gold 200 · Kodak Vision3 50D · Kodak UltraMax 400 · Lomography Color Negative 400 · Opticolor 200 · Kodak Vision3 250D · Kodak Vision3 500T · Kodak Gold 800 · Fujifilm Pro 400H